Review of Pride and Prejudice
Review of Pride and Prejudice: Crescent Arts
Centre 25/08/12
Kaleidoscope Theatre Company
is to be congratulated on this masterly production of Pride and Prejudice at the Crescent Arts Centre, which in spite of
its three hour run, never for a moment slacked or lagged and remained commendably
truer to the celebrated novel than the 1995 BBC TV mini-series produced by Sue Birtwistle 1995,
which starred Colin Firth.
The
casting was inspired, with the Bennett girls nicely differentiated, Elizabeth,
as always, the most assertive and vivacious as she brought a true elegance to
the part. It was impossible not to warm to the empty headed younger sisters,
Lydia and Kitty, who played their roles to energetic perfection, squeals and
all. The parents might had likewise have sprung right out of the novel, the
effusive silly mother and the wiser father, each a good foil for each other.
Caroline Bingley as The Bitch Sister, with perfect enunciation struck an
entertaining and genuine note and looked the glamorous socialite ‘to a T’.
The
suitors, Darcy and Collins gave convincing performances. Mr Collins’ proposal
to Elizabeth was spectacular. Darcy’s first dance with Elizabeth was among the
best moments of the play. Given the important role letters play in the action,
it was a splendid touch to have them read aloud in their authors’ voices. In
fact, unfolding the story, its balls, visits and family life-vignettes in such
a restricted space was a tremendous feat—not to mention the efficiency and
seamlessness with which the stage scenery was managed.
The
costumes, simple but contemporary, re-created those by-gone days realistically
and there was a nice contrast between the garb of the girls and the imposing
attire of Lady Catherine nicely set off by Brenda Liddy, complete with to-die-for
jewellry. Brenda Liddy brought forth the complex arrogance and vulnerability of
a woman who struggles to manipulate the intrigues of Regency society’s ‘pride
and prejudice’.
Director
Kerry Rooney is to be heartily complimented but plaudits are due all round.
Carmel
McQuaid © 2012
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